Rhythmically, Snake Eyes never really finds its footing, as fights end abruptly, and character stakes rarely align with the scale of a confrontation. Its battles are conceptually interesting - one rainy, neon-drenched fight across the alleys and rooftops of a city slum is a highlight - but an excessive reliance on shaky camerawork and jarring cuts makes the action unreadable. In spite of a reliance on practical stunt work, and fights choreographed by the legendary Kenji Tanigaki, it’s hard to fully appreciate the good work that clearly went into Snake Eyes.
This keeps the story moving after an overly lengthy setup, and allows the film to get to the action audiences are looking for. It’s structured a bit like a sports drama, where Snake Eyes must rise to the challenge of passing three trials before he can join the Arashikage clan, and overcome the skepticism of security chief Akiko (Haruka Abe) and clan trainers Hard Master (Iko Uwais) and Blind Master (Peter Mensah). Like in Zola!įortunately, Snake Eyes has enough to offer even for viewers who don’t care about any of this. And, of course, why Snake and Tommy fell out.Why he has no other name, and really does just go by “Snake Eyes” all the time.
#GI JOE CLASSIC SNAKE EYES FULL#
This means Snake Eyes is full of Prequel Work: Its script is preoccupied with answering questions viewers may or may not care about.
Joe lore is Tommy’s identity as Storm Shadow, and his eventual rivalry with Snake Eyes. (They’re kind of like The League of Shadows from Christopher Nolan’s Batman films, but good guys.) Owing Snake Eyes his life, Tommy offers him the rare gift of an opportunity to join the Arashikage clan, and with nowhere else to go, Snake Eyes accompanies his new benefactor to his ancestral home in Japan. This turns out to be incredibly fortuitous, as Tommy is secretly the heir of the Arashikage clan, a secret society of ninjas devoted to the protection of Japan. When that work involves killing Tommy Arashikage, another, friendlier underworld heavy, Snake Eyes refuses, and saves Tommy from the gang that wants him dead. This desire ropes him into a secret struggle when a crime boss known as Kenta (Takehiro Hira) offers him work among the Yakuza, in exchange for the identity of his father’s killer. Currently living in Los Angeles, Snake Eyes is a drifter, only really motivated by the thought of finding his father’s killer. In the film, Henry Golding ( Crazy Rich Asians) plays the title character, a child with no name who witnesses his father’s murder, then grows up to become a cage fighter by night and fishery worker by day.
#GI JOE CLASSIC SNAKE EYES MOVIE#
Joe movie franchise, but it’s maybe the best possible version of a movie designed to test those waters. This film isn’t going to sell anyone on a new G.I. Joe Origins is largely a success in that it does a decent job of making viewers forget that cynicism for two hours, while also embracing the absurdity of a narrative universe spun out of action figures. Joe reboot, because his defining trait is already being The Coolest.ĭirected by Robert Schwentke with a screenplay by Evan Spiliotopoulos, Joe Shrapnel, and Anna Waterhouse, the movie Snake Eyes: G.I. And what if there was a ninja who was also an American soldier? A guy who could use a gun and a sword? What’s better than this? Snake Eyes, then, is the perfect focus for a G.I. Because what’s cooler than the best of all the best troops? Ninjas. Joe in existence - it’s hard to take a bunch of characters seriously when they started out as action figures mostly premised as “American soldiers, but named like sports cars.” But Snake Eyes is the most transparently cynical action figure of the bunch, aimed straight at the id of ’80s boys who begged their parents to buy them the toys. This sentiment is arguably applicable to every G.I. Joe’s long-running fan-favorite ninja Snake Eyes is not a joke character, but he is very funny.
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